A Bookhounds of London rare tome by Mike Drew
Keepers of Bookhounds of London may find themselves growing tired of the same old mythos tomes. How many copies of the Necronomicon can be discovered in mouldy crypts before they become rote? Here then is a real world tome along with possible ways for it to torment your players. An extravagant Edwardian binding, haunted by a terrible curse and linked to the world’s most famous sinking. Unlike Stead and Murray’s Priestess this cursed artefact was actually onboard Titanic when she sailed. This is a tale of high ambition, elaborate bindings and the international book trade. This is the tale of the ‘Great Omar’.
Possibly the most ambitious binding of the modern world (or ever) the Great Omar was a ludicrously fine binding executed by Sangorski and Sutcliffe for John Stonehouse. Stonehouse was then manager of the Piccadilly branch of storied antiquarian bookseller’s Sotheran’s (my own trade alma mater and notably missing from the trade list in Bookhounds). Sangorski was consumed with binding the Elihu Vedder illustrated Rubáiyát. In 1909 he finally convinced Stonehouse who said “charge what you like for it”. ( I am indebted here to Vic Gray’s excellent Sotheran’s history, Bookmen: London, produced for our 250th anniversary. It is highly recommended to the student of the book trade and everyone else as well.)
It took two years for Sangorski and assistants – forwarder Sylvester Byrnes, gold-finisher George Lovett and an (as-usual) unheralded sewing lady – to finish. Perhaps a little gauche for modern (or any) tastes there is no denying the craftmanship, passion, and quality of materials. 5000 pieces of coloured leather were pressed into underlying green morocco along with 1,050 jewels (topazes, turquoises, rubies, amethysts, garnets and olivines). The front cover featured three peacocks with spread tail feathers, the back a lute of mahogany. The front doublure (an ornamental lining on the reverse of the cover) had a writhing snake in an apple tree and the back one a skull (with ivory teeth) with a poppy growing from an eye socket. The work was unveiled for the Coronation of George V; even incomplete it was a wondrous sight. Just as well – there was no buyer. It was marked up at a staggering £1,000 (more than three times the cost of any single volume in the shop) and Stonehouse hadn’t consulted Mr Sotheran before proceeding. The book had to sell.
The book didn’t sell.
In early 1912 trade legend Gabriel Wells offered £900 but was rebuffed. Stonehouse travelled to New York to try other options. The volume was packed and dispatched ready to collect. Unfortunately American customs demanded 40% duty. Books over 20 years old (as the Vedder was) were duty free, but the text was undated. This was seized upon to argue the new binding overrode the text within, making it a new book. It took the Board of the United States General Appraisers to overturn the decision. Meanwhile Mr Sotheran, perhaps upset Stonehouse had failed to consult him before commissioning the piece, refused the duty and the book returned.
Mr Sotheran was tiring of the whole affair. Gabriel Wells would now only offer £650 in light of the customs issues. There was an argument with Sangorski over payment for two years’ work. In a fit of pique Omar was dispatched to the rooms. The prevailing attitude may be judged by the biting order that Sotheby’s offer it without reserve. It was finally knocked down for a tragic £405. To Gabriel Wells. Stonehouse maintained the sale was blighted by a coal strike. Wells had the book prepared for shipping on the next liner to New York. It should have shipped on the 6th April but the coal strike disrupted shipping. It left instead on the 10th on the next ship, the RMS Titanic. The ‘Great Omar’ still resides 400 miles off the Grand Banks of Newfoundland.
Legend holds the book was cursed – perhaps because of the peacock feathers, unlucky in some cultures. Certainly it seemed for Sotheran’s at the time, and for curse proponents the death of Sangorski by drowning 7 weeks after the sinking is apposite. Twenty years later Stanley Bray (Sutcliffe’s nephew) recreated the binding in his spare time from original drawings. The war interrupted him and the uncompleted work was stored in a metal-lined case in a bank vault on Fore Street…where it was bombed. The first bomb of the Blitz fell on Fore Street. The building above burnt to the ground. The recovered metal case was intact but the book was cooked to a congealed mass. Inevitably Sangorski’s bindery was untouched for the duration of the war. Bray retrieved the jewels from the ruined binding and finally completed a third effort in 1989, which was presented to the British Library. To date the BL has resolutely refused to hit an iceberg. John Stonehouse died young at 72 surrounded by family. George Sutcliffe died in 1943, 30-odd years after the iceberg. Cecil Sotheran was run down crossing Constitution Hill…16 years later.
But away with mere fact!
This is not merely a cursed tome written by an Arabian mathematician. It is a fabulously-bound cursed tome produced by one of the greatest binderies in London at the behest of one of the greatest antiquarian booksellers. It is writ large in book trade lore and would still be a legend for any 30s Bookhound.
So if cursed, who cursed it? The peacock recalls Tawûsê Melek , Peacock Angel of the similarly-Persian Yazidis. Better though to avoid Lovecraft’s racist characterisation of them as “Persian devil-worshippers”. Perhaps start from the premise of sea-born disaster and assume the Cthulhu cult is behind this. The binding acts as focus for a Summon Watery Doom spell. Who was the target? Gabriel Wells? Harry Widener (probably carrying it for Wells with his own books)? Stead? How many cursed items can one man be associated with before we call enemy action? The Titanic was a target-rich environment for those seeking historical conspiracy. More on possible targets could be mined from the Suppressed Transmission “A Night to Embroider” by some fellow named Ken Hite.
The Bookhounds then are lucky enough to get a great deal: fine peacock bindings in a seeming job lot – all-too-conveniently they have buyers for some already. All of the names on their list are high-powered (at least in the occult world) and they start turning up dead. The Constabulary may not always be the most imaginative, but they are notoriously thorough. So many deaths in one field (and linked to one shop) will turn the head of even the most staid copper. Can the shop get out from under their watchful gaze? How did the cult get their client list? How long can they keep the books before the shop is hit by disaster? What will they do to make a profit on the remaining works? The curse might be lifted by damaging the bindings – but what will that do to the price?
Of course the book should never have been onboard in the first place. Is it more terrible that so many perished to kill one person or that it was all a great screw-up? Was this just the equivalent of a terrorist bomb, producing souls for harvesting? Perhaps it is a hungry entity we seek, dwelling in the shrine created for it. This might explain the way peacocks became a “fetish” in Sangorski’s binding work. Stonehouse recalled this in the 1929 Piccadilly Notes (Sotheran’s part-catalogue, part-magazine). He thought Sangorski’s “dreams must have been of oriental lands and colours which he had never seen” – maybe they could only be called colours at all by analogy? Evidently Sangorski became similarly obsessed with Kismet, then playing at the Garrick. He went several times and it had an “almost intoxicating effect”. He made copious notes in the margins of his programme for future bindings – finding these might reveal information about other book shrines.
Could a certain (un-dying) blasphemous Arab writer lurks behind the mask of Omar? Khayyam was an astronomer and mathematician after all, solving cubic equations with geometry. Lovecraft uses Fitzgerald’s metre and rhyme-pattern for his ‘That is not dead…’ couplet. Perhaps a specific translation was needed to unlock the poem’s secrets? Dr John Potter, according to The Times a translator of the Rubáiyát, vanished from Castletown on the Isle of Man in 1923. His body washed ashore at Auchencairn on the Solway Firth one month later. Taken by Deep Ones to produce a new translation? It may be the translation reveals truths in the illustrations. Vedder was interested in occult imagery but claimed he was not learned in “occult matters” instead “I take short flights or wade out into the sea of mystery which surrounds us” (The Digressions of V). That sounds horribly close to those “black seas of infinity” – was the thing inspiring Sangorski at Vedder’s shoulder years earlier? If the two elements are combined in a peacock binding the reader can open dimensions through cubic geometry. The Titanic was not sunk to kill a person, it was sunk to destroy this book.
If this is the case the likely suspects are the true face behind The Church of the Cult of Omar. Founded in The Pas, Manitoba in 1921, during the province’s 7-year flirtation with prohibition, it was inevitably suppressed by a humourless government only a few months later. A new convert testified that the church was only founded to claim liquor permits to obtain wine for “sacramental purposes”. There are perhaps echoes of the suppression of the Starry Wisdom in America only a few years later, although in a somewhat more low-key Canadian manner. No doubt a new chapel could be found in the home of some Bright Young Thing with protruding eyes.
Who sank the ship though? There is one organisation capable of such a dramatic act. According to Amin Maalouf’s novel Samarkand the only manuscript copy of the Rubáiyát also went down with the ship. American scholar Benjamin Lesage retrieved it from Tehran in 1896. It had made its way there after being saved from the inferno of texts after the fall of Alamut. Because of course the Assassins are involved. For this the Bookhounds might accidentally come by a copy of Potter’s manuscript in an auction lot, or an obsessed binder might offer them the chance to back his recreation using the secret text of that lost book. At that point the binder, shop and any client interested become clear targets for the Assassins. This might offer some delightful cognitive dissonance for players who would expect the Order to be the bad guys.
If you want to use the book itself the fact that it lies full fathom five shouldn’t stop you. A seller is hawking the real thing round London. Sure, it’s spent the better part of two decades underwater, fair copy at best, but a legendary piece nonetheless – find another one. Sub rosa sale, linked to a shop specialising in oceanography, the history of oceans (especially lore and mysteries), and a less well-known sideline supplying lost art treasures. Rather than the usual tome as mythos artefact this is a shop using the mythos. The owners have a deal with, maybe are, Deep Ones. They use the access to shipwrecks to supply lost treasures to well-heeled, snobbish and ghoulish collectors. The shop could be rivals, a worrying presence, or (for more pulpy games) a target. If the owners simply use their connections to sell to a specialised market what do the players do about it?
The Bookhounds are approached by a strange client to get him the Omar. He doesn’t care how but he does care price. Do they get into the auction or try more underhanded methods (lifting it from the shop or from the ultimate buyer)? Troublesome auction clients might include agents of the Hsieh-Tzu Fan or the Cthulhu cult, both of whom have an interest in oceanography. If the book was the home of a devouring entity then being trapped at the bottom of the Atlantic has made it very hungry. What will they do when they learn of the curse? Their is still their rival’s batrachian methodology to consider. What do Deep One book runners demand as payment?
Mike Drew was lucky enough to learn the book trade at perhaps the oldest still-trading antiquarian booksellers in the world, Henry Sotheran’s. He has since catalogued books (and occasionally antique fishing reels) for a now-defunct auction house, and escapes from the kids by volunteering at the local museum library. The happiest moment in his almost 30-years of roleplaying came when Pelgrane made his job a roleplaying game.
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