In the shadowy world of The Fall of Delta Green, you never know who’s got clearance, not to mention who’s got your back … and who’s got your back in his sights. The Company man – the man from the CIA – might fit any of those descriptions, or any other. That’s kind of the point, […]
Category Archives: General
There is so much GUMSHOE goodness coming up this year in this, our tenth anniversary, that I offer a short retrospective later. But January is a 13th Age month, and we kick off the year with a bunch of new 13th Age releases. Rakshashas & Reavers is the first issue of the new 13th Age Monthly […]
“Knowledge was knowledge a hundred thousand years ago, when our especial forbears were shambling about Asia as speechless semi-apes!” — H.P. Lovecraft, “The Last Test” It’s a new year, and time for the “Call of Chicago” column to seamlessly shift from endless iterations of Stuff We Left Out of The Dracula Dossier to endless iterations […]
Over the holiday season, the Pelgranes rest and recuperate, ready for another year of creating and playing amazing games. Weakened by egg nog and mince pies we are in no fit state to ship goods or give coherent answers to questions. So, shipping and support are affected as follows. The Store The store will be […]
Improvising telling but subtle details on the fly is tricky, especially if the players catch you off-guard. They’ve suddenly flown to Iceland to follow a lead you hadn’t prepared, and now you’re scrambling not only to get back ahead of the Agents, but also get a handle on where the overall campaign is now going. […]
There will be no November 2015 See Page XX – we’ll have a double issue in December. Why? Well, we are changing our online store this week. The new store clean and easy to use. It will have a bookshelf to list out all your downloads and subscriptions from past orders on the old store, […]
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Count Dracula (1977) Director: Philip Saville Dracula: Louis Jourdan Generally (and correctly) hailed as the most textually accurate of the major Dracula adaptations, this BBC TV production has the advantage of time (three TV episodes, 160 minutes) to stretch out in. Every character has a recognizable motive and occasionally even an arc, and the human […]

