In Raymond Chandler’s short story “Nevada Gas,” Johnny De Ruse, one of his proto-Marlowe protagonists, pays a hotel detective for answers to questions. In GUMSHOE terms, he’s clearly using the Bargaining ability. Before De Ruse gives him the dough, he extracts a promise not to tip off the man he’s investigating. A few beats later, […]
Tag Archives: GUMSHOE
GUMSHOE One-2-One is a system for designing and playing investigative roleplaying games and adventures for one player and one Game Moderator (GM). Together, you create a story that evokes the classic solo protagonist mystery format. In a GUMSHOE One-2-One game, the player character discovers something which triggers their investigation, and then the (GM) guides them through a number […]
by Yohann Delalande [Editor’s Note: Yohann ran the the One Sheet GUMSHOE competition on RPG Geek, which had an extraordinary 18 entries. Congratulations to all the entrants .You can download all the entries here.] One of the recurring obstacles every GM has met at least once concerns time vs preparation work. After all, it is […]
See P. XX a column about roleplaying by Robin D. Laws Some mysteries, like that of life itself, never resolve themselves in anything other than new, stranger questions. Deconstructed mysteries like David Lynch’s Inland Empire (2006) and Mulholland Drive (2001), Stanley Kubrick’s Eyes Wide Shut (1999) and Jean-Luc Godard’s Alphaville (1965) retain the outward form […]
See Page XX A Column about Roleplaying by Robin D. Laws When we of the Pelgrane-Industrial Complex write and test GUMSHOE scenarios, we take care to avoid short circuits—moments that, early in play, could conceivably allow the investigators to abruptly move to the end of the story. The dissatisfactions of short-circuiting are various. The players […]
The most vivid GUMSHOE investigative abilities in play are the Interpersonal ones. They allow your characters to get information through extended dialogue with Game Master characters, requiring a touch more player skill than the Technical or Academic categories. They also show, in the game’s imagined on-screen space, who your character is and what attitudes she […]
Page XX A Column about Roleplaying by Robin D. Laws Clue-gathering in GUMSHOE differs from previous investigative games in one very minor way. Its central tweak isn’t even an extra step to the process players may already be familiar with. GUMSHOE removes a step from the standard approach. Anyone who’s played nearly any trad RPG […]
Just as DramaSystem characters are torn between two dramatic poles, we as roleplayers may find ourselves torn between two roles: character and co-author. Certain games and play styles encourage us to think only of what our PCs would do. Some players who prefer this approach take a semantic leap overboard and declare any game where […]
Improvising With GUMSHOE by Steve Dempsey This article discusses an improvised variant of the GUMSHOE rules. It can be just as easily used for Fear Itself, Esoterrorists, or any other GUMSHOE game. Most games of GUMSHOE are played using a scenario that the GM has written. Not only does she introduce each scene and play […]
This toy version of GUMSHOE introduces you to the basic concepts of the system which powers Trail of Cthulhu, Esoterrorists and Night’s Black Agents. Note, I’m not a game designer (whatever wikipedia says), and this version of GUMSHOE really is just for demonstration purposes. GUMSHOE was designed to power games which feature some investigative elements. […]